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Montréal, Quebec, 1881 - 1942
Gagnon was a painter and a printmaker. Like his contemporaries in the Group of Seven, Clarence Gagnon longed to dissociate himself from an academic tradition in painting and was interested in creating a national art, although not one based on the untamed wilderness. Gagnon’s idea of “national” was rooted in his love of the people and the land of Quebec, as reflected in his depictions of cultivated landscapes, in which nature has been transformed by agriculture and human settlements.
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Moonlight, Venice (1909)
17 cm x 10 cm
Etching on paper
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Grand canal Venise (1906)
6" x 8 1/2"
Etching on paper
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Isola San Burano (1906)
8" x 10 1/4"
Etching on paper
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Rue des cordeliers, Dinan (1907)
19,7 cm x 24,3 cm
Etching on paper
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Vieux moulin à St. Briac (1907/1908)
18,9 cm x 25 cm
Etching on paper
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Street Moonlight, Pont de l'Arche (1908)
16,3 cm x 12, 3 cm
Etching & Dry point on paper
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Grenada (1906)
9,9 cm x 11,2 cm
Etching & Dry point
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Rue des Cordeliers, Dinan (1907)
19,7 cm x 24,3 cm
Etching & Dry point
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Le lac Séminaire St-Sulpice (1915)
19,4 cm x 24.2 cm
Etching & Dry point
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Rue des Petits Degrés, St-Malo (1907)
8 1/2" x 4 1/2"
Etching on paper
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And several other works are available in the gallery.
If you are interested by his works, click here to let us know
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