A major change happened in Quebec for which Pellan’s return in 1940 form Paris was a turning point. Other artists, over the previous years, had tried to alert their very conservative community to the existence of modern avant-gardes; but Pellan, with his copious Parisian production - almost 400 works – made the transition possible. Opposed by more than a few, his art broke through a barrier which was both artistic and social, and which opened an avenue to fauvism, cubism, a dreamlike surrealism, and primitivism.
Étude pour "L amour fou ou désir" (1948)
11" x 9"
Lead pencil on vellum paper
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Folies Bergères (1973)
13" x 10"
Watercolour & ink on paper
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Dépaysement (c. 1945)
8" x 7"
Oil on paper
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Jeune fille (c. 1940)
23" x 17"
Charcoal on paper
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And several other works are available in the gallery.
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