Clarence A. GAGNON

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Montréal, Quebec, 1881 - 1942

Gagnon was a painter and a printmaker. Like his contemporaries in the Group of Seven, Clarence Gagnon longed to dissociate himself from an academic tradition in painting and was interested in creating a national art, although not one based on the untamed wilderness. Gagnon’s idea of “national” was rooted in his love of the people and the land of Quebec, as reflected in his depictions of cultivated landscapes, in which nature has been transformed by agriculture and human settlements.

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Clarence A. GAGNON - Canal du Loing Moret (1907)

Canal du Loing Moret (1907)
5 ¾" x 8 ½"
Etching on paper

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Clarence A. GAGNON - L'orage (1907)

L'orage (1907)
14,5 cm x 16,5 cm
Etching on paper

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Clarence A. GAGNON - Moonlight, Venice (1909)

Moonlight, Venice (1909)
17 cm x 10 cm
Etching on paper

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Clarence A. GAGNON - Grand canal Venise (1906)

Grand canal Venise (1906)
6" x 8 1/2"
Etching on paper

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Clarence A. GAGNON - La Salute, Venice (1906)

La Salute, Venice (1906)
17 cm x 10 cm
Dry Point on paper 15/30

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Clarence A. GAGNON - Mont St. Michel (1907)

Mont St. Michel (1907)
7 3/4" x 9 3/4"
Etching (Edition of 50)

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Clarence A. GAGNON - Vieux moulin à St. Briac (1907/1908)

Vieux moulin à St. Briac (1907/1908)
18,9 cm x 25 cm
Etching on paper

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Clarence A. GAGNON - Street Moonlight, Pont de l'Arche (1908)

Street Moonlight, Pont de l'Arche (1908)
16,3 cm x 12, 3 cm
Etching & Dry point on paper

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Clarence A. GAGNON - Grenada (1906)

Grenada (1906)
9,9 cm x 11,2 cm
Etching & Dry point

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Clarence A. GAGNON - Le lac Séminaire St-Sulpice (1915)

Le lac Séminaire St-Sulpice (1915)
19,4 cm x 24.2 cm
Etching & Dry point

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Clarence A. GAGNON - Rue des Petits Degrés, St-Malo (1907)

Rue des Petits Degrés, St-Malo (1907)
8 1/2" x 4 1/2"
Etching on paper

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